For all the flash and filigree in Ophelia, the only way I’ll sit through this again is to laugh at it. I’d do anything to somehow experience a repeat of it. With each new adaptation, directors often take liberties in presenting the play. They went all-in on the acting and the words, and I tell you that it was one of the best Shakespeare performances I’ve seen in my life. 2 December 2011 Hamlet is arguably the most often adapted William Shakespeare play. That said, I’ll tell you a quick story.Ībout 20 years ago I saw a production of Macbeth in a New York City park that was defiant in its lack of scenery and props. The level of craft in this film is absolutely off the charts. There are iridescent blue dragonflies and white peacocks and so many intricately brocade gowns. It must be said though that the film looks exquisite, from the costumes and props to the cinematography and camerawork. This leads to a, shall we say, altered version of the play’s final scenes that caused more than one snicker during the Sundance premiere. So Gertrude has a lost witch sister that makes potions (the influence is more The Dark Crystal than Macbeth), and one such brew can temporarily simulate death like in Romeo and Juliet.

Lisa Klein’s novel (adapted by screenwriter Semi Chellas) decides it will be great fun to make substantive changes to the story. Sure, she’s floating about the palace and witnessing things – but there is zero emotional investment. It’s well over an hour before Polonius is killed, with Ophelia essentially offstage twiddling her thumbs. The other problem is that nearly every scene we see has almost no narrative drive. Hamlet Drama Based on Academy Award-winning director Tony Richardson’s (1963, Tom Jones) theatrical production at the Roundhouse Theatre in London, this film is a powerful adaptation of William Shakespeare’s epic tragedy. (I didn’t write down the precise line, by this point of the film I was clutching my head with both hands.) So when the narrative intersects with scenes from the play, lines like “Get thee to a nunnery” are changed to something on the order of “I told you to go to that nunnery”. They can’t speak the language of Shakespeare, so the dialogue is dumbed down to a generic Game of Thrones level. The first obvious hurdle this film faces is figuring out how these people talk. She and young Hamlet are already making eyes at one another, yet when he returns to Elsinore as a young man (played by George MacKay) their flirtation soon escalates. We cut to her childhood at court, a little scamp that Queen Gertrude (Naomi Watts) chooses to be one of her ladies-in-waiting. This project is madness with no method to it.ĭaisy Ridley’s voiceover introduces us to Ophelia, floating in her watery grave, suggesting that only now will we hear “the real story”. Shakespeare purists will revolt, high-fantasy fans will be bored and the kids who make gifs of Daisy Ridley and put them on Tumblr will wait until they can pirate this anyway. This film looks absolutely gorgeous, but apart from its production design it is basically a disaster.

Hamlet movie